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Things Keep Falling Down

Label: Kompakt
Release date: March 14, 2005
Cat No: Kompakt 116
Barcode: 880319018312
7,99 €
  • Id8TJRsgyAjH
  • release
Includes high-quality Mp3 download
Bizarre thoughts and classy patterns are not necessarily mutually exclusive, and the same with madness and method. However, one of the lessons you might learn form in-depth musicological considerations is that there may be right-minded, crazy gains which are far more than mere distortions of language, Hi there, and welcome to KOMPAKT'S head quarter. The so far unknown Swedish artist Axel Willner cracks every single security system installed at KOMPAKTS high security demo section by using poppy, self-loved cut-up-classy-splatter-loop-bits-and-pieces-patterns. Most convincingly, THE FIELD starts at the point where PROFAN had already been ten years ago: That is he transfers the basic essence of rhythm inherent in every "wicked groove/sexy loop" into a kind of virtual space of deconstructing the self in order to liberate this loop from any discourse-infected, intellectual ballast of its author by means of a kind of mental washing machine. As long as I can dance to it.
Bizarre Gedanken schließen noble Muster sowenig aus wie der Wahnsinn die Methode. Daß es aber auch vernünftige Wahnsinns-Gewinne gibt, die mehr sind als Sprachverkehrungen, dies könnte zu den Lektionen zählen, die sich aus tiefenmusikologischen Überlegungen ziehen lassen. Hallo, hallo. Hier KOMPAKT Kopfquartier. Der bis dato völlig unbekannte Schwede Axel Willner knackt mit seiner poppig selbstverzückten Cut-up-Edelsplatter-Loop-Schnitzeltechnik sämtliche Sicherheitssysteme des KOMPAKT'schen Hochsicherheits-Demo-Trakts. THE FIELD setzt auf überzeugende Weise da an, wo PROFAN vor zehn Jahren schon mal war. Die rhythmische Grundessenz eines jeden “geilen grooves/sexy loops" in eine Art virtuellen Raum der Selbstdekonstruktion zu überführen, um ihn in einer Art geistigen Waschanlage vom diskursverseuchten Ideenballast seines Erschaffers zu befreien. As long as I can dance to it. Roy Makaay

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